More about Alison Saar
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Alison Saar is a contemporary artist known for her depictions of the experiences of the African Diaspora, femininity, and personal narratives.
Saar is primarily a sculptor, but dabbles in a variety of artistic mediums, including printmaking. Saar’s sculptures articulate the collective history of the female figure, and are heavily influenced by her African American heritage. The artist has shared that she is often mistaken as white and has struggled to have her racial identity recognized. Saar often references hair in her work as an important personal and cultural symbol of African American identity.
Creativity is literally in Alison’s DNA. Her mother is the assemblage artist Betye Saar and her father, Richard Saar, is a ceramicist and art conservator. Both parents' creative practices heavily influenced Saar’s childhood and subsequently, her own art. Her mother’s artwork focused on themes of spirituality and ethnicity, referencing her own personal history and American racism. As a child, Saar would regularly sit in her mother’s studio as she worked, developing her own artistic interest by tinkering with materials. Saar credits her mother for instilling in her an appreciation for metaphysical and spiritual traditions. These themes of spirituality and folkloric objects are an ever-present influence in Alison Saar’s body of work.
As a young adult, Saar worked as her father’s apprentice in his conservation studio. Working there led her to develop a keen understanding of Ancient Chinese, African, Egyptian, and Pre-Colombian objects. This hands-on education had a deep impact on Saar’s own creative expression where even today her work draws upon cultural significance embodied in the objects she uses and creates.
Saar came of artistic age during the rise of minimalism and post-painterly abstraction. Although she states Josef Albers and Mark Rothko are two heavy influences on her work, she separated herself from minimalism and instead her practice focuses on representational figures and gritty, handmade materials.
Alison isn’t the only creative offspring of Betye and Richard Saar. Her sister, Lezley Saar, is also a practicing artist, and is known for her mixed-media work that also focusus on race and gender.
Sources
- 50X50: Stories of Visionary Artists from the Collection. San José, CA: San José Museum of Art, 2020.
- “Alison Saar: Artist Profile.” National Museum of Women In The Arts, May 28, 2020. https://nmwa.org/art/artists/alison-saar/.
- Dallow, Jessica. “Reclaiming Histories: Betye and Alison Saar, Feminism, and the Representation of Black Womanhood.” Feminist Studies 30, no. 1 (2004): 75–113. http://www.jstor.org/stable/3178559.
- “Lezley Saar.” Bridge Projects | A contemporary gallery with programs on art history, spirituality, and religion. Accessed February 11, 2022. https://www.bridgeprojects.com/artists/lezley-saar.
- “Tobacco Demon.” High Museum of Art. Accessed February 11, 2022. https://high.org/collections/tobacco-demon/.
- Wilson, Judith. “Down to The Crossroads: The Art of Alison Saar.” Callaloo 14, no. 1 (1991): 107–23. https://doi.org/10.2307/2931444.
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Here is what Wikipedia says about Alison Saar
Alison Saar (born February 5, 1956) is a Los Angeles-based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion." Saar credits her parents, collagist and assemblage artist Betye Saar (née Brown) and painter and art conservator Richard Saar, for her early exposure to are and to these metaphysical and spiritual practices. Saar followed in her parents footsteps along with her sisters, Lezley Saar and Tracye Saar-Cavanaugh who are also artists. Saar has been a practicing artist for many years, exhibiting in galleries around the world as well as installing public art works in New York City. She has received achievement awards from institutions including the New York City Art Commission as well as the Institute of Contemporary Art in Boston.
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