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A Frankish noblewoman, who would later become a nun, gave birth fourteen hundred years ago to a child named Bavo, the namesake of two St. Bavo Cathedrals, one in Ghent, Belgium, and the other in Haarlem, the Netherlands.
Our story focuses on the Ghent Cathedral. If they wanted to avoid confusion, you'd think they'd choose different names for the cathedrals, but people in the region are big fans of this Bavo guy. His story mirrors that of Gautama Buddha: inheriting vast material wealth and having no particular ethical position, squandering his parents' money on champagne and good times, then recognizing the inherent emptiness and meaninglessness of material sense gratification, abandoning his life of excessive aristocratic pleasures and entitlements, becoming devoted to a monastic spiritual order, and giving his money to the poor. Aside from the spiritual awakening towards the end, it's the story of Donald Trump.
Irony of ironies! For all of its breathless odes to the spiritual virtue of poverty, for all of its penniless saints, the Roman Catholic "look" is pure floss and unalloyed bling. The St. Bavo Cathedral would put to shame the most extravagant art collectors with its astonishingly gaudy collection. Familiar with the golden ornamentation of the original Hebrew Temple in Jerusalem, destroyed first by the Babyonians and then by the Romans, Catholics sometimes see themselves as divinely ordained to build the most ostentatious and theatrical altarpieces available.
The museum concept grew from the "mystery religions" of the Greeks and Romans, especially in connection with the ceremonies and lifeways of the Pythagoreans. As a group at constant historical odds with the conquering Greeks and Romans, Jewish legal decisors, such as Rabbi Moshe Feinstein זצ״ל, ruled that museums and theaters could be forbidden, as places of ill moral repute. This ruling was partly to prevent Jews from converting to Catholicism, dazzled by the sheer magnificence of places like the St. Bavo Cathedral, with their priceless artworks, free admission, and scenes gory enough to rival a Tarantino film.
Sources
- Bergsma, John. Bible Basics for Catholics: A New Picture of Salvation History. Notre Dame, IN: Ave Maria Press, 2015.
- Bland, Kalman P. The Artless Jew: Medieval and Modern Affirmations and Denials of the Visual. Princeton: Princeton University Press, 2001.
- Harbison, Craig. Jan van Eyck: the play of realism. London: Reaktion books, 1991.
- Kemperdick, Stephan, and Johannes Rössler. The Ghent Altarpiece by the Brothers Van Eyck: history and appraisal. Berlin: Gemäldegalerie, Staatliche Museen zu Berlin, 2014.
- "Kippah," Halachipedia, https://www.halachipedia.com/index.php?title=Kippah.
- van Mander, Karel. Het Schilder-Boek. Haarlem: Passchier Wesbusch, 1604, https://www.dbnl.org/titels/titel.php?id=mand001schi01.
- Titchmarsh, Alan. The Queen's Houses. New York: Random House, 2014.
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Here is what Wikipedia says about Saint Bavo's Cathedral, Ghent
Saint Bavo's Cathedral, also known as Sint-Baafs Cathedral (Dutch: Sint Baafskathedraal), is a Roman Catholic cathedral in Ghent, Belgium. The 89-metre-tall (292 ft) Gothic building is the seat of the Diocese of Ghent and is named for Saint Bavo of Ghent. It contains the well-known Ghent Altarpiece, also called the Adoration of the Mystic Lamb.
Check out the full Wikipedia article about Saint Bavo's Cathedral, Ghent
Saint Bavo Cathedral is stunning house of worship! I spent hours in there looking at all the little details.